Some sort of avant-garde synthpop, modern classical album. Quite hard to describe, this is further out-there than Koji's solo albums such as Music for Silent Movies, Reservoir, et al.
This album contains renditions of several compositions by Erik Satie, one by Jacques Offenbach and some Guernica and Keiichi Ohta tracks are revisited.
Seriously wonderful stuff mind, I wholeheartedly recommend it to everyone (but you ought to listen to Guernica first); this is one of my favourite albums from the nineties.
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